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Ivory Ghosts by Caitlin O'Connell
Ivory Ghosts by Caitlin O'Connell












In The Elephant’s Secret Sense (2007), she described her discovery of a new form of elephant communication, while also personalizing the plight of the elephants in a modern African landscape. O’Connell is a world-renowned expert on elephants and vibrotactile sensitivity, as well as an award-winning science writer, photographer and author. And if not: simply put, she’s like Jane Goodall, but with elephants. Caitlin O’Connell’s name is already familiar. Book Review: IVORY GHOSTS: A CATHERINE SOHON ELEP.If you have a deep interest in natural history, then chances are Dr.Speaking from my previous experience as a "book scout" for a producer at Warner Bros., this thriller would make a riveting film adaptation which, with the right screenplay, could give an actress a pivotal career opportunity. Indicators of whether the narrator was a man or a woman. O'Connell wrote this scene, using the first-person, without giving any initial As a woman reader (and writer), I appreciated that Purpose there is to substantiate evidence and put a stop to an ivory Namibia under the guise of doing an elephant census, but Catherine's actual Of Namibia, Catherine stumbles on a horrific murder scene. Her truck breaks down on a remote, dry road in the sub-Saharan African country With a lot of depth and emotional complexity. She's grieving the recent death of her fiancé. Catherine isĪ white American wildlife blogger who has been living and working in SouthĪfrica. Well-developed, and O'Connell uses a first-person narrative.

Ivory Ghosts by Caitlin O

Spotlight squarely on the slaughter of elephants for their tusks to feed the Thrillers tend to have plots involving bioterrorism, but O'Connell places the Sub-genre: the wildlife conservation thriller. Ivory trafficking and elephant poaching, O'Connell has created her own thriller O'Connell's first Catherine Sohon Elephant Mystery. So many crime fiction novels and thrillers.














Ivory Ghosts by Caitlin O'Connell