Only Dan Granata and Sean Patrick Fawcett gave winning performances. This show is predictable and quickly it gets tiresome. The show is much too long and slows down with long wordy speeches and involved plot explanations. This uneven production tries too hard to be a farce, to be a keystone cops comedy while also trying to be a espionage thriller and a comedy of manners. Chesterton’s novel features an all male cast sporting an irritating assortment of fake accents that render much of their dialogue hard to understand. Not the smartest way into an audience’s heart.ĭardai’s adaptation of G. The play actually starts in the lobby with a debate about poetry versus anarchy so we stand for another 10 minutes until we are herded into the theatre space where the luck audience members find a chair while others are forced to sit on small benches. The first rule in theatre should be: don’t alienate your audience by making them stand in a crowded hot foyer for over 20 minutes waiting for the doors to open and the play to start.
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